P.G. Wodehouse offers us so much as readers, but he’s an inspiration for writers too. I asked Auriel Roe, author of A Blindfellows Chronicle, about Wodehouse’s influence on her writing.
How did you discover Wodehouse? Probably the Richard Briers and Michael Hordern radio version of Jeeves and Wooster. Dickens always intended his work to be read aloud and Wodehouse has just the right rhythms for this too, so that led me to read Wodehouse. Coming from a background in drama, I could tell instantly that Wodehouse’s characters and scenarios were theatrical.
Do you have a favourite Wodehouse novel or story? Probably Right Ho, Jeeves as it contains that supreme episode of the humour of embarrassment that Wodehouse does so well with Fink-Nottle presiding over a school prize giving ceremony. I’ve sat through a number of similar cringe-making efforts at these end-of-year offerings, one in which the guest speaker hadn’t prepared a speech and intoned “You’re all so lucky” probably about every thirty seconds; (she was quite famous too and we suspected she’d been at the juice).
Which character from Wodehouse’s world would you most like to be (or most identity with) and why ? I’m torn between wanting to be Wooster who takes such delight in the simple things in life such as a cooked breakfast and Jeeves who has a solution to every mishap, however unlikely it is to succeed.
How long have you been writing? In a proper sense, for the last two years, but it fits around a full time job, which is an asset to a writer as being in solitude for me would mean no ideas, and no little jottings in the writer’s notebook when you overhear something quirky or witness something bizarre. Writing for me all happened by accident a couple of summers ago when I had a peculiar little notion that swelled into a novel… What if a man in his sixties suddenly has his first crush? This became my novel A Blindefellows Chronicle which has recently been published.
How has Wodehouse influenced your work? I think my main character Sedgewick is something of a Jeeves/Wooster hybrid actually – Sedgewick is an awkward chap who often finds outlandish solutions to the predicaments that arise. Like Wooster, Sedgewick avoids romantic entanglements, and is most downhearted when a possible marriage looms. My novel is composite, the same set of characters in thirteen chronological stories, a structure Wodehouse favoured, each chapter/story able to stand alone.
Some people claim Wodehouse’s writing is too much a product ‘of his time ‘ to appeal to a modern audience. What do you think Wodehouse has to offer the 21st Century reader? Wodehouse continues to make people laugh so perhaps this humour contributes to making it timeless, but perhaps it’s only a brand of humour that the British have a feel for. Having said that, Wodehouse has never gone out of vogue in India; it’s sold next to the best sellers in airports and there was outrage when it was dramatized into Hindi. For years, the actor Martin Jarvis has held packed houses mesmerized with his readings of Wodehouse, which demonstrates an enduring appeal. As for what Wodehouse offers us today well, there’s just not enough comic literary fiction today. Comedy is not often written skilfully and Wodehouse is an example of how to do it which I’ve learned from.
I’m passionate about supporting writers who’ve been influenced by Wodehouse — please tell me about your book. Regarding style, I feel like I’ve written the novel I always wanted to read, which pays homage to my favourite writing… Wodehouse, Wind in the Willows, Cold Comfort Farm to name a few. Regarding content, I am a head of art and I wanted to base my story in a school which is probably what I know best. My first job was in a somewhat archaic boarding school so little aspects of those years have been used, albeit manipulated to almost unrecognisable proportions. Here’s the blurb to pop it into a nutshell…
“It was midday on 31 August and the new History master had arrived at Blindefellows, former charity school for poor, blind boys, now a second division private school for anyone who could pay.”– Thus commences the unlikely friendship between Sedgewick, the naive newcomer, and the rumbustious, Japes, Master of Physics, his worldly-wise mentor.
A Blindefellows Chronicle follows the adventures of a handful of unmarried faculty at an obscure West Country boarding school in a series of interlinked tales characterized by absurd, chortle-out-loud humour, punctuated by moments of unexpected poignancy.
Thanks Auriel and best of luck with your book. I’m looking forward to reading it
George Orwell was born on this day 1903.
Best known as the author of dystopian classics 1984 and Animal Farm, Orwell also wrote a 1946 essay ‘In Defence of P.G. Wodehouse’.
The background to this story has been covered in much detail elsewhere.*
Before the start of the Second World War, P.G. Wodehouse was living in France. When the German Army invaded, he was among those captured and interned — in a succession of prison camps, from Belgium to Upper Silesia. He continued to write throughout his internment, and read his light-hearted camp diary aloud for the amusement of his fellow internees.
The cell smell is a great feature of all French prisons. Ours in Number Forty-Four at Loos was one of those fine, broad-shouldered, up-and-coming young smells which stand on both feet and look the world in the eye.
We became very fond and proud of it, championing it hotly against other prisoners who claimed that theirs had more authority and bouquet, and when the first German officer to enter our little sanctum rocked back on his heels and staggered out backwards, we took it as almost a personal compliment. It was like hearing a tribute paid to an old friend.
(Wodehouse’s Second Berlin Broadcast)
Wodehouse was released in June 1941, shortly before his 60th birthday, and deposited at the Albion hotel in Berlin. While staying there, he met an old acquaintance, Werner Plack, whom he’d known during his stint as a writer in Hollywood. It was Plack who encouraged Wodehouse to make a series of broadcasts to fans in America (which had not yet entered the war) about his recent experience.
It seemed like a good idea to Wodehouse at the time. The talks made light of his experiences, in keeping with the British tradition of humour in the face of adversity.
Young men, starting out in life, have often asked me “How can I become an Internee?” Well, there are several methods. My own was to buy a villa in Le Touquet on the coast of France and stay there till the Germans came along. This is probably the best and simplest system. You buy the villa and the Germans do the rest.
At the time of their arrival, I would have been just as pleased if they had not rolled up. But they did not see it that way, and on May the twenty-second along they came – some on motor cycles, some on foot, but all evidently prepared to spend a long weekend.
(Wodehouse’s First Berlin Broadcast)
Few people in Britain ever heard the broadcasts, but the ferocious public condemnation that followed was sufficient to convince many people that Wodehouse was a Nazi sympathiser and traitor.
After the war, MI5 and British Foreign Office officials investigated the matter and agreed that Wodehouse had no case to answer. One British Foreign Office official noted:
I do not think that anyone would seriously deny that ‘L’affaire Wodehouse’ was very much a storm in a teacup. It is perfectly plain to any unbiased observer that Mr Wodehouse made the celebrated broadcasts in all innocence and without any evil intent. He is reported to be of an entirely apolitical cast of mind; much of the furore of course was the result of literary jealousies.
Sadly, the facts surrounding the broadcasts and findings of the MI5 investigation were never made public during Wodehouse’s lifetime, and even today some people find it difficult to shake their mistaken ideas about Wodehouse, or to report the matter with accuracy.
Writing in 1946, Orwell was certainly unaware of the full facts, and he had not heard or seen a transcript of the broadcasts. He unwittingly relies on misrepresented accounts of Wodehouse’s experience. For example, Orwell refers to “German officers in the neighbourhood frequently ‘dropping in for a bath or a party’” in the period immediately before Wodehouse’s internment.
With the full transcripts available to us, we can read Wodehouse’s remarks in context and understand there was no such party:
One’s reactions on suddenly finding oneself surrounded by the armed strength of a hostile power are rather interesting. There is a sense of strain. The first time you see a German soldier over your garden fence, your impulse is to jump ten feet straight up into the air, and you do so. About a week later, you find that you are only jumping five feet. And then, after you have been living with him in a small village for two months, you inevitably begin to fraternise and to wish that you had learned German at school instead of Latin and Greek. All the German I know is “Es ist schönes Wetter”, I was a spent force, and we used to take out the rest of the interview in beaming at one another.
I had a great opportunity of brushing up my beaming during those two months. My villa stands in the centre of a circle of houses, each of which was occupied by German officers, who would come around at intervals to take a look at things, and the garden next door was full of Labour Corps boys. It was with these that one really got together. There was scarcely an evening when two or three of them did not drop in for a bath at my house and a beaming party on the porch afterwards
(Wodehouse’s First Berlin Broadcast)
Orwell may have been misled on some of the details, and I don’t agree with all of the points he makes, but his analysis demonstrates a sound knowledge of Wodehouse’s work, along with Orwell’s usual political astuteness.
In the desperate circumstances of the time, it was excusable to be angry at what Wodehouse did, but to go on denouncing him three or four years later – and more, to let an impression remain that he acted with conscious treachery – is not excusable. Few things in this war have been more morally disgusting than the present hunt after traitors and quislings. At best it is largely the punishment of the guilty by the guilty. In France, all kinds of petty rats – police officials, penny-a-lining journalists, women who have slept with German soldiers – are hunted down while almost without exception the big rats escape. In England the fiercest tirades against quislings are uttered by Conservatives who were practising appeasement in 1938 and Communists who were advocating it in 1940. I have striven to show how the wretched Wodehouse – just because success and expatriation had allowed him to remain mentally in the Edwardian age – became the corpus vile in a propaganda experiment, and I suggest that it is now time to regard the incident as closed.
The following references / further reading are highly recommended to anyone wishing to better understand this chapter in P.G. Wodehouse’s life.
Highballs for Breakfast is a new compilation of P.G. Wodehouse’s writing on the subject of liquor, drinking, Dutch Courage and mornings after, compiled and edited by Richard T. Kelly. It’s a well-researched collection that delves widely into the Wodehouse canon, unearthing plenty of treasures on the subject.
‘…Have you ever tasted a mint-julep, Beach?’
‘Not to my recollection, sir.’
‘Oh, you’d remember all right if you had. Insidious things. They creep up on you like a baby sister and slide their little hands into yours and the next thing you know the judge is telling you to pay the clerk of the court fifty dollars…’
Summer Lightning (1929)
The classic scenes you’d expect to find are here, including Gussie Fink Nottle’s presentation of the prizes at Market Snodsbury Grammar School in Right Ho, Jeeves, and Bertie Wooster’s ‘a-hunting-we-will-go’ with the port decanter in The Mating Season. But if you’re unfamiliar with Wodehouse’s world beyond the Jeeves stories, this book should also whet your appetite to discover hidden gems like Cocktail Time, Doctor Sally, Uncle Dynamite, Ukridge, and the Mulliner stories.
‘Suppose the only girl you had ever loved had gone and got engaged to another, what in your view would best meet the case?’
The gentlemanly bar-tender pondered for some moments.
‘Well,’ he replied at length, ‘I advance it, you understand, as a purely personal opinion, and I shall not be in the least offended if you decide not to act upon it; but my suggestion – for what it is worth – is that you try a Dynamite Dew Drop.’
One of the crowd that had gathered sympathetically round shook his head. He was a charming man with a black eye, who had shaved on the preceding Thursday.
‘Much better give him a Dreamland Special.’
A second man, in a sweater and a cloth cap, had yet another theory.
‘You can’t beat an Undertaker’s Joy.’
‘The Story of William’ in Meet Mr. Mulliner (1927)
Few good books are without controversy; Wodehouse has always attracted his share and Highballs for Breakfast is no exception. The hot topic of discussion among the troops on this occasion is the assessment of Wodehouse’s non-drinkers as ‘puritans and bores’. Richard T Kelly introduces this chapter, noting:
Given the affection Wodehouse reserves for cheery serial tipplers, you can well imagine the rough treatment he dishes out to characters who make a terrific show of never touching a drop. A degree of moderation, at times, is commendable, perhaps – but someone who abstains entirely simply cannot be serious.
Richard T. Kelly in Highballs for Breakfast
The teetotallers in our ranks object. Wodehouse certainly created some memorably foul examples of the puritanical temperance advocate. Having lived through prohibition, he would have had a decent supply of real-life examples to work from, adding them to his diverse cast of ridiculous extremists. But Wodehouse’s most degenerate drinkers are not always such affectionate portraits.
Richard T Kelly offers Mervyn Potter’s fiancé as an example of the puritanical type; she insists that Mervyn give up drink and threatens to cancel the fixture if he fails. Anyone reading Barmy in Wonderland (as discussed previously at Plumtopia) can see that she has a point. Mervyn is habitually plastered — he gets truculent, creates disturbances and burns down hotels. Wodehouse gets full comedy value from these scenes, but it’s clear that Mervyn Potter is a menace who gives Barmy Fotheringay-Phipps hell. The reader’s sympathies are with Barmy and Potter’s fiancé, on this occasion.
Another character who overdoes his snifters is Reggie Swithin’s Cousin ‘Eggy’ in Laughing Gas. Wodehouse gets good comedic mileage from Eggy, who thinks he is having alcohol induced hallucinations and is persuaded to give up drinking by a temperance group called the Temple of the New Dawn. The female responsible for saving Eggy is a girl called Mabel, and, while undeniably one of the puritans, she is not without her charms. There is no suggestion that Mabel is a bore, or that Eggy is anything but better off when he decides to marry her.
Gussie Fink-Nottle, Wodehouse’s most famous abstainer, may have restricted himself to orange juice, but I don’t recall him ever forcing the subject on his friends. Between a puritanical temperance advocate and a quiet, unassuming teetotaller there is a wide and substantial difference —neither Wodehouse nor Richard T Kelly is really ‘having a go’ at the latter.
A little controversy is good for us –it keeps the mental faculties sharp — but the inclination to analyse or search for deeper meaning in Wodehouse quickly reaches a point where it makes us (well, me usually) look ridiculous. It causes pure minded jaws to clench. ‘Leave Plum alone!’ they cry. ‘He is to be enjoyed, not dissected.’ Spades and soufflés are mentioned. Richard T Kelly, quite rightly, does not take things too far. He applies an informed, but light touch to the material and lets Wodehouse’s magic do the rest.
I drink high-balls for breakfast. I am saved.
My Battle with Drink (1915)
I would like to thank Penguin Random House for providing my copy of Highballs for Breakfast. If the producers of fine wine and porter ales would do likewise, Plumtopia would be a far, far brighter place.
Win a copy of Highballs for Breakfast
To win a copy of Highballs for Breakfast, courtesy of Penguin Random House, visit the competition page and and reply by comment before 15 December 2016.
Most Wodehouse enthusiasts will now be aware of the sad news that Lt Col Norman Murphy, founder Chairman of the PG Wodehouse Society (UK), passed away in October.
As the PG Wodehouse Society’s Remembrancer, Norman was generous with his time and expert knowledge, and he leaves behind a body of work that Wodehouse enthusiasts will continue to treasure for years to come. His publications include:
- In Search of Blandings
- Three Wodehouse Walks
- A Wodehouse Handbook (Volumes 1 and 2)
- The Reminiscences of the Hon. Galahad Threepwood
- Phrases and Notes: P G Wodehouse Notebooks 1902-1905
- The P.G. Wodehouse Miscellany
Norman will be remembered as much for his own inimitable character as for his expertise. Many Wodehouse fans who encountered Norman — on one of his famous Wodehouse Walks, at a Society meeting, or convention – will retain affectionate memories of an enthralling fellow who always made an impression. I feel incredibly privileged to include myself among them. The friendship, advice and encouragement I received from Norman (and his wife, Elin) is something I’ll always cherish.
The PG Wodehouse Society has opened an online Book of Remembrance for people to share their memories of Norman. Please do share yours with them. Obituaries celebrating Norman’s life and contribution to Wodehouse scholarship have also been published in The Telegraph and The Times .
If you’ve not already done so, please join me in raising a glass– to Norman!
N.T.P. Murphy, A Wodehouse Handbook
On the 15th of October, 1881, P.G. Wodehouse was born in Guildford , England.
Coincidentally, 1881 was also the year in which Dr. John Watson first met Sherlock Holmes. Their meeting was recounted by Arthur Conan Doyle in the first Sherlock Holmes story, A Study in Scarlet (1887).
Some years later, the young Wodehouse became an avid reader of these stories, and his early work is littered with Holmesian references. In The Adventure of the Split Infinitive , a 1902 short story published in ‘Public School Magazine’, Wodehouse sends Mr. Burdock Rose and his companion Dr. Wotsing to investigate a murder at St. Asterisk’s school.
“Anyone suspected?” I asked.
“I was coming to that. One of the Form, Vanderpoop by name, under whose desk the corpse was discovered, has already been arrested.”
“Did he make any statement?”
“Well, he hit the policeman under the jaw, if that could be called making a statement. He is now in the local police-station awaiting trial. Popular opinion is, I should say, strongly against him.”
“That I should think is in itself almost enough to clear him. Popular opinion is always wrong.”
Wodehouse’s wonderful school duo Psmith and Jackson bear some similarity to Holmes and Watson. Psmith is uniquely brilliantly, while his friend Mike Jackson is loyal and dependable. Psmith sees himself as a Holmsian figure and consciously uses Holmes-speak in conversation. It was Wodehouse’s Psmith, not Conan-Doyle’s Holmes, who first used the words ‘Elementary, my dear Watson’ — in Psmith Journalist (1910).
“Sherlock Holmes was right,” said Psmith regretfully. “You may remember that he advised Doctor Watson never to take the first cab, or the second. He should have gone further, and urged him not to take cabs at all. Walking is far healthier.”
Psmith Journalist (1910).
The language of Holmes and Watson was one that Wodehouse readers knew – then and now. Many Wodehouse enthusiasts today are fans of Conan Doyle, and much research has been done to find the Holmesian references in Wodehouse’s writing. An excellent list, compiled by John Dawson, is available from the Madam Eulalie website.
Another well researched piece by fellow blogger Shreevatsa reveals that Wodehouse wrote an introduction to a 1970s edition of Conan Doyle’s The Sign of the Four.
When I was starting out as a writer—this would be about the time Caxton invented the printing press—Conan Doyle was my hero. Others might revere Hardy and Meredith. I was a Doyle man, and I still am. Usually we tend to discard the idols of our youth as we grow older, but I have not had this experience with A.C.D. I thought him swell then, and I think him swell now.
Wodehouse and Conan Dolyle also became friends. They shared a mutual love of cricket and played together for the Authors Cricket Club .
Wodehouse retained a love of detective stories throughout his life, and this was reflected in his work. He enjoyed entangling characters in a spot of light crime, and created numerous detectives to catch them at it –like Miss Trimble and Mr Sturgis (Piccadilly Jim), Percy Frobisher Pilbeam (Heavy Weather), and Maudie Stubbs née Beach (Pigs Have Wings). He even tried his hand at straight detective fiction, in The Education of Detective Oakes (Pearson’s Magazine, 1914), later republished as The Harmonica Mystery, and Death at the Excelsior.
Perhaps, if he had applied himself seriously, P.G. Wodehouse might have become a great crime writer. Happily for us, he didn’t — readers of detective fiction are spoiled for choice, but great humour writers are lamentably rare. The result was a happy one for his characters too. As a creator of comedy romances, Wodehouse’s detectives were permitted time off from the study of little known Asiatic poisons to relax at the Senior Bloodstain, and even to fall in love.
A hardboiled crime writer could never permit such diversions, as we learn from Wodehouse’s fictional crime writer, James Rodman, in ‘Honeysuckle Cottage’.
He held rigid views on the art of the novel, and always maintained that an artist with a true reverence for his craft should not descend to goo-ey love stories, but should stick austerely to revolvers, cries in the night, missing papers, mysterious Chinamen, and dead bodies — with or without gash in throat.
While the great Sherlock Holmes remained a bachelor, Wodehouse’s Adrian Mulliner, detective with the firm Widgery and Boon, won the heart of Millicent Shipton-Bellinger after he distinguished himself in the Adventure of the Missing Sealyham (‘The Smile That Wins).
All her life she had been accustomed to brainless juveniles who eked out their meagre eyesight with monocles and, as far as conversation was concerned, were a spent force after they had asked her if she had seen the Academy or did she think she would prefer a glass of lemonade. The effect on her of a dark, keen-eyed man like Adrian Mulliner, who spoke well and easily of footprints, psychology and the underworld, must have been stupendous.
‘The Smile That Wins’ (Mulliner Nights)
No less stupendous, it seems, was Wodehouse’s life-long love for the genre. I can imagine him, even as a nonagenarian, clawing at the birthday gift-wrapping with indecent haste to get at the latest crime thriller inside.
Happy Birthday Plum!
Hot on the heels of yesterday’s top five, this piece completes the top ten list of authors endorsed by Wodehouse readers. Some surprises, I thought. Since writing this piece, I have read a good deal of Saki and am grateful to have ‘discovered’ his stuff via Wodehouse lovers.
In my last piece, I revealed the top top five authors Wodehouse lovers in the ‘Fans of P G Wodehouse’ Facebook community named as their favourites (when not reading Wodehouse). No doubt you’re itching to know who else our Plum chums love to read, so I’m here to share the next five most popular authors named. As these five were almost equally popular, I’ve listed them chronologically.
Charles Dickens (b. 1812)
‘She dotes on poetry, sir. She adores it; I may say that her whole soul and mind are wound up, and entwined with it. She has produced some delightful pieces, herself, sir. You may have met with her ‘Ode to an Expiring Frog,’ sir.” ‘
Charles Dickens, The Pickwick Papers
Dickens has both fans and detractors among our Wodehouse loving fraternity. As someone who reads for escapist pleasure, I sympathise with those who avoid…
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What Ho! What Ho!
In my recent talk at the Psmith in Pseattle convention, I touched on the subject of what the modern Wodehouse reader is reading. As promised, I am ‘reblogging’ my original post on the subject. I will also share the two follow-up pieces which reveal the full list.
“You are evidently fond of mystery plays.”
“I love them.”
“So do I. And mystery novels?”
“Have you read Blood on the Banisters?”
“Oh, yes! I thought it was much better than Severed Throats.”
“So did I,” said Cyril. “Much better. Brighter murders, subtler detectives, crisper clues … better in every way.”
The two twin souls gazed into each other’s eyes. There is no surer foundation for a beautiful friendship than a mutual taste in literature.
P G Wodehouse (‘Strychnine in the Soup’ in Mulliner Nights)
I recently asked the ‘Fans of P G Wodehouse’ Facebook community about their favourite authors – who they like to read when not curled up with Plum’s latest. The response was a staggering 370 comments (and counting) listing over 250 different authors. I’ve collated the replies and can now reveal the top 50 authors these Wodehouse lovers named as…
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For some time I’ve been threatening to write a fictional homage to P.G. Wodehouse – a statement that will induce some of you to sadly shake your heads, for there is a school of thought among Wodehouse lovers that such homages ought not be attempted. Stern words have been written on the subject. Alexandra Petri leaps to mind. She makes a sound case for the prosecution in her review of Sebastian Faulks’ homage, ‘Jeeves and the Wedding Bells is worse than bad fanfiction’ (Washington Post), in which she helpfully outlines the world of fanfiction (yes, it’s one word apparently).
I would submit that three kinds of fanfiction [exist]: the sanctioned published kind (spin-off Bonds, Star Wars sequels, many of these aimed at men), the kind you forget is fanfiction (Ovid’s Metamorphoses, Milton’s Paradise Lost) and the kind the word evokes, written on the Internet largely for and by women between 14 and the designated demographic of “50 Shades of Grey.”
However much I might fancy that my own homage might be classed with Paradise Lost, there’s no escaping the fact that I fit smack-bang in the middle of the latter derided demographic. And if that’s not enough to make the self-respecting female writer of homages think twice (or at least get herself a decent set of false whiskers), here’s what La Petri has to say about the motivation and content of fanfiction:
Fanfiction is motivated by the sense that there is something missing. Generally, what is missing is that not enough of the characters are having explicit sex, or that two of the characters that you wish were having sex with one another are not doing so, although in Wodehouse fanfiction this is not always the case. It’s a tribute, but it’s also about filling in the gaps.
The mind boggles! This was certainly not the sort of homage I had mind.
So, not only is fanfiction frowned on by some Wodehouse fans, it seems the last thing the internet needs is another sad old frump churning out homages. What was I thinking? Presumably I ought to be doing something more age and gender appropriate — whatever that might be. Shoe shopping? Planning a diet and skin care regime to address the signs of aging? Reading the aforementioned 50 Shades of Grey? Well, sneer if you will, but writing Wodehouse homages sounds like a much better way to spend my time.
And I am in good company, with at least two dedicated Wodehouse communities at fanfiction.net: a World of Wodehouse’. group and one dedicated to Jeeves stories. Enjoyable tributes to Wodehouse spring up here at WordPress too: try Wooster and Jeeves, ‘Purloined Snuff Box Retrievers’ by Shashi Kadapa, or Tom Travers’ Travails at Totleigh Towers (an homage to P.G.Wodehouse) from the Chronicles of an Orange-Haired Woman! In published form, I highly recommend The Reminiscences of the Hon. Galahad Threepwood by Wodehouse expert N.T.P Murphy, which combines Murphy’s enjoyable prose style with his research into the period of Gally’s days as a young man about town. And I can’t write this piece without mentioning the latest novel by Wodehouse lover, writer and cricket historian Arunabha Sengupta: Sherlock Holmes and the Birth of the Ashes. It’s not a Wodehouse pastiche, but a great example of the possibilities of quality homage.
Respectful imitation (the sincerest form of flattery), and homage have long been part of literary tradition, just as they are in other art-forms. Many gifted painters have learned their craft by copying old masters; musicians and composers practice their art by replicating music conceived by others. Many pop stars make a substantial living by imitation alone. Unlike these art-forms, it is not possible for writers to earn a living in this way, but there is much that a developing writer can learn from imitating a beloved author. It is also possible for gifted writers with a strong, original idea to successfully and legitimately appropriate another writer’s characters. My favourite example of this is George MacDonald Fraser’s Flashman series.
If we want Wodehouse’s legacy to extend beyond his own work, as an influence on future writers, we must not close our minds to imitation, adaptation and appropriation — as a starting point. This is particularly important given the lack of an emerging ‘Wodehouse tradition’ in current fiction. As the shortlist for the last Bollinger Everyman Wodehouse Prize demonstrates, between Wodehouse and modern comic writing there is a wide and substantial difference. This isn’t censure — I usually enjoy the books shortlisted. But there is little on offer for Wodehouse fans looking for something new and original in the Wodehouse vein. It’s worth remembering that many modern readers have discovered Wodehouse through later authors like Douglas Adams and Terry Pratchett, both sadly no longer with us. A continuing ‘Wodehouse tradition’ in comic fiction would provide ‘an entry’ to Wodehouse for future readers.
This brings us back to the matter of Sebastian Faulks and his homage. It hasn’t been a universal hit with Wodehouse fans (although we’re not all as scathing as Alexandra Petri). I don’t know that it has brought many new readers to Wodehouse either — certainly no one has cropped up in our Facebook group or any other forum that I follow, claiming to have found Wodehouse through Faulks. But as homages go, it’s a sound effort and I have no objection to Faulks attempting it (you’ll find my review of Jeeves and the Wedding Bells here.), particularly if it makes homages more acceptable — or at least gets the conversation going.
My own homage-in-progress has been an exercise in developing my skills as comic writer by imitating the style of a master. I’ve adopted a similar approach to N.T.P Murphy and G.M Fraser, writing an original piece that avoids Wodehouse’s central characters and settings (there are no Jeeves or Woosters, Psmiths or Emsworths). I think this is where Faulks made his bloomer. We are simply too close to these characters. As imitation Wodehouse, my story has many faults, but as a stepping stone from imitation to original fiction, I have high hopes for it.
I look forward to sharing it with you here in due course, once I’ve finished reading Sherlock Holmes and the Birth of the Ashes.
At last week’s Hay Festival, Alexander McCall Smith was announced winner of the 2015 Bollinger Everyman Wodehouse Prize for comic fiction, for his book Fatty O’Leary’s Dinner Party. The prize is awarded ‘in the spirit of P.G. Wodehouse’. I’ve enjoyed many of the previous winners and shortlisted entries, but Wodehouse fans should not to expect great similarities between Wodehouse’s writing and these examples of modern genre.
With that caveat in mind, let’s take a look at the 2015 shortlist.
How to Build a Girl by Cailtin Moran
“My life is basically The Bell Jar written by Adrian Mole.”
Described as semi-autobiographical, coming-of-age story, How to Build a Girl follows 1990s teenager Johanna Morrigan’s efforts to recreate herself as ‘Dolly Wilde’. Author Caitlin Moran is a well-known UK columnist and celebrity, and reviewers have found much to like in her witty narrative style. Wodehouse fans be warned that it’s also heaving with sex and ‘bad language’, so it won’t appeal to everyone.
How to Build a Girl isn’t the sort of book I normally read — as someone who reads for escapist pleasure, the parallels between this story and my life may be a little too close for comfort. The legs on the cover are even wearing my shoes! Like Morrigan/Moran I’ve come from humble beginnings and reinvented myself as Honoria Plum. Unlike Moran, success didn’t follow. I’m ‘keeping the dream alive’ as best I can, but I’d find it easier to laugh at the mistakes of my youth if I was reading from a more comfortable chair.
In contrast, one of the many things I love about Wodehouse is that he doesn’t challenge me with my own mistakes or confront me with gritty realism. When I want those things, I’ll put my book down and look in the mirror.
Losing It by Helen Lederer
It’s great to see women are writing comedy and being shortlisted for this prize. Like Moran, Lederer is well-known in the UK for her work in film and television comedy, and there are clear parallels between Lederer and Millie, the central character in Losing It . Millie is a middle aged, divorced TV star who accepts an offer to advertise diet pills to help resolve her financial difficulties.
There’s a promising Wodehousian element to Lederer’s plot. Millie owes money to loan sharks, but spends her advance from the diet pill company on a holiday. Having spent the cash, she’s committed to losing weight in three months — by whatever means she can. I could see Wodehouse using this sort of plot very well.
Wodehouse created several plus-sized, middle-aged female characters. He usually describes them as ‘handsome’ and portrays them with personality and self-assurance. The tightness of arm-chairs upon hips is mentioned as a matter-of-fact, not censure. In Wodehouse’s world, beauty is in the eye of the beholder and women are accepted just as they are. This is something former Wodehouse Prize winner, the late Sir Terry Pratchett also excelled at. Pratchett created interesting heroines for all ages, shapes and sizes.
Among modern female writers there is a tendency to create neurotic heroines consumed with aesthetic self-judgement. As a reader, this doesn’t interest me any more than modern moralising about weight and beauty interests me in ‘real-life’. I prefer the Wodehouse-Pratchett view of women as worthy of our interest (and approval) just as they are. But Helen Lederer’s novel sounds like an authentic and funny variation on an otherwise tiresome theme.
Fatty O’Leary’s Dinner Party by Alexander McCall Smith
This novella tells the story of wealthy American tourist, ‘Fatty’ O’Leary’s, visit to Ireland — home of his ancestors. It’s a holiday in which just about everything that could go wrong, does.
I’ve done the dutiful thing and purchased this prize-winning book, but with reservations. I didn’t enjoy the previous McCall Smith I tried — The Sunday Philosophy Club. It’s a great title, but I found the central character, Isabel Dalhousie, a terrible snob (she dislikes one character on the grounds of the university he attended and the colour of his trousers). Wodehouse also created snobbish characters for us to laugh at, but I wasn’t entirely sure whether McCall Smith’s heroine was intentionally flawed, or if her judgmental views reflected those of the author.
Putting this experience aside, I will approach Fatty O’Leary’s Dinner Party with an open mind, in knowledge that this book impressed the Wodehouse Prize judges. McCall Smith is certainly the most established and prolific author in the shortlist, with a large international audience (that includes my own mother). So I’m hopeful of finding much to like in Fatty O’Leary’s Dinner Party.
Man at the Helm by Nina Stibbe
Another semi-autobiographical novel from a female writer (should I be rethinking my own comic writing along similar lines?). Man at the Helm is a tale of two sisters trying to find a man for their mother. In a glowing review for The Guardian, Kate Kellaway describes Stibbe’s ‘eye and ear for the absurd’ — something very much in the Wodehouse tradition. Like everything else on the list , this isn’t something I would gravitate towards in a bookstore. I don’t tell you this to pooh-pooh the books, but rather to make you aware this isn’t a genre I’m familiar with — so you can assess my response accordingly. I am happy to read beyond my usual preferences and perhaps discover new favorites. Nina Stibbe could well prove to be one of them.
The Dog by Joseph O’Neill
“I was like the dog with the empty bladder that nonetheless goes from tree to tree, stopping at each one to cock his leg in vain”.
For Joseph O’Neill’s sake, I hope The Dog is not semi- autobiographical, although similarities with his previous novel Netherland might cause people to wonder. The Dog‘s unnamed narrator is a Swiss-American lawyer working in Dubai for an obscenely rich family. He’s a keen observer of social media, but his Linked In profile probably doesn’t tell you that his hobbies include frequenting prostitutes and bemoaning the failure of his last relationship. It’s a long way from Wodehouse, and definitely involves humour of another kind.
Max Liu, in a review for The Independent , says:
“He articulates a kind of business class existentialism, which is difficult to get excited about, and The Dog is composed of deliberately convoluted sentences which thwart the reader’s absorption.”
But one man’s idea of ‘convoluted’ inevitably signals ‘literary merit’ to another. The Dog was long-listed for the Man Booker Prize, making it the most literary entrant in this year’s shortlist. It’s also the hardest to summarise without reading the dashed thing (which, on balance, I’m not inclined to do). Some reviewers find it eye-gougingly dull. The Times review quoted on the cover calls it ‘brutal’ and ‘witty’. Comparisons are made with Kafka, Bret Easton Ellis and Nick Hornby. Others consider O’Neill among a modern literary elite, too high for appreciation by the common reader. It may be all those things, but I’m as common as muck so I’ll be giving this one a miss.
A Decent Ride by Irvine Welsh
Wodehouse famously never wrote about sex, but A Decent Ride is the third shortlisted book to come with a warning to Wodehouse fans about sexually explicit content — and I don’t mean a bit of bedroom farce. But while modern comedy writing has ‘progressed’ sexually, it seems to have also to taken a great leap backwards in quality. According to Stuart Kelly’s review in The Guardian, ‘A Decent Ride by Irvine Welsh review –poor writing and penis jokes’:
Given that it features incest, rape, grave desecration, necrophilia and one character filling a terminally ill man’s saline drip with urine and semen, it is curious that the most shocking thing about Irvine Welsh’s new novel, A Decent Ride, is that it was published at all.
I’m reasonably broadminded, and I don’t mind the judges challenging our ideas of comedy writing, but Decent Ride definitely isn’t for me.
What do you think?
It’s a thought provoking, thoroughly modern short-list. There is no escapist or comic fantasy, with the death of Terry Pratchett leaving a gaping hole in that area. As good as some of these shortlisted novels undoubtedly are, there’s nothing much to remind the modern Wodehouse reader of Wodehouse. Is the Wodehouse tradition at an end? I hope not.
If you’ve read any of the shortlisted books or, like me, have the temerity (if that’s the word I want, Jeeves) to discuss them without having bothered — I’d love to know what you think.
My reviews of Wodehouse Prize winning and shortlisted authors occasionally appear at Plumtopia. I’d be happy to share yours here too.
It was a great pleasure for me to read this piece at ‘The Random Book Review’ (great blog) and find the reviewer ‘discovered’ Richmal Crompton via Plumtopia.
This excellent review, and its well-chosen quotations, show why ‘Just William’ is a favourite among Wodehouse fans. I can’t wait to read it myself.
William. Just William. More William. William Again. Still William. Lately, whenever anybody says ‘William’, all I can think of is Richmal Crompton and her (yes it’s a lady!) beautiful creation. I discovered the author on this post on Plumtopia (heaven for the Wodehouse lover); authors that Wodehouse fans like. Anyway, turns out I had a really old copy of William the Fourth lying unread on my shelf (no idea when I bought it..maybe it was the one I stole from my uncle), and couldn’t resist. After the first story, I thought it was for children. After a second and a third, I changed my mind. It’s for everyone..and especially for those lost Wodehouse souls, who still live somewhere in the beginning of the twentieth century, steeped in the scent of fading nostalgia. (See? I can write portry too)
William Brown is a eleven-year old boy in 1920s England…
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