P.G Wodehouse had double citizenship, British and American. He became Sir Pelham Wodehouse at the age of ninety-three, receiving a knighthood in the 1975 New Year’s Honours list. A month and a half later he died, of a heart attack, in a hospital on Long Island, near his home in Remsenburg. He was sitting in a chair, with a three-quarters-finished new Blandings novel in typescript and autograph notes around him. He had gone into hospital for tests to establish a cause, and indicate a cure, for a troublesome skin rash. He had been working right to the end.
Richard Usborne in Wodehouse at Work to the End (1976)
Some forty years later, P.G. Wodehouse is remembered and revered by readers around the world. The anniversary of his death each Valentine’s Day always seems a fitting occasion to celebrate the life and work of an author who gave us so much to love.
2015 also marks one hundred years since the publication of the first Blandings novel, Something Fresh (published in the US as Something New). It’s a firm favourite of mine. I also wonder if Wodehouse’s writer-hero Ashe Marson is semi-autobiographical, for apart from being a writer, Ashe’s daily routine includes a series of fitness exercises (much like Plum’s own ‘daily dozen’).
The Larsen Exercises, invented by a certain Lieutenant Larsen, of the Swedish Army, have almost every sort of merit. They make a man strong, supple, and slender. But they are not dignified. Indeed, to one seeing them suddenly and without warning for the first time, they are markedly humorous. The only reason why King Henry, of England, whose son sank with the White Ship, never smiled again, was because Lieutenant Larsen had not then invented his admirable exercises.
So complacent, so insolently unselfconscious had Ashe become in the course of three months, owing to his success in inducing the populace to look on anything he did with the indulgent eye of understanding, that it simply did not occur to him, when he abruptly twisted his body into the shape of a corkscrew, in accordance with the directions in the lieutenant’s book for the consummation of Exercise One, that he was doing anything funny.
At the start of Something Fresh Ashe is observed, mid-contortion, by an attractive onlooker called Joan Valentine. Joan is one of my favourite Wodehouse heroines — a gossip column writer with a varied career history including shop work, typewriting, the stage, working as a governess and lady’s maid (anyone who tells you Wodehouse only wrote about upper class twits is talking through their hat). In the course of the novel, she makes a fine attempt at scarab stealing. Although she was much admired by the Hon Freddie Threepwood, it’s Ashe who wins her heart in the end.
‘…What are you doing?’
Ashe paused for a moment to reply.
‘I am kissing you,’ he said.
‘But you mustn’t. There’s a scullery-maid or something looking out of the kitchen window. She will see us.’
Ashe drew her to him.’Scullery-maids have few pleasures,’ he said. ‘Theirs is a dull life. Let her see us.’
Being one of the world’s workers myself, I find this consideration for the scullery-maid commendable.
This steamy-stuff is as close as Wodehouse gets to sex in his writing, which some commentators seem to feel requires explanation. I don’t. The kiss is a time-honoured way for authors, playwrights and filmmakers to mark the happy conclusion of a romantic plot. One doesn’t need to be prudish to see that dabbling in the erotic would have alienated part of his audience, without adding anything of value to his work. It is also mistaken to assume that the absence of sex makes Wodehouse’s work sexless.
Take this example from ‘Rodney Fails to Qualify’, a golfing story contained in The Heart of a Goof :
“Have you ever read The Love that Scorches, by Luella Periton Phipps? ” she asked.
I said I had not.
“I got it out of the library yesterday,” said Jane, dreamily, “and finished it at three this morning in bed. It is a very, very beautiful book. It is all about the desert and people riding on camels and a wonderful Arab chief with stern, yet tender eyes, and a girl called Angela, and oases and dates and mirages, and all like that. There is a chapter where the Arab chief seizes the girl and clasps her in his arms and she feels his hot breath searing her face and he flings her on his horse and they ride off and all around was sand and night, and the mysterious stars. And somehow — oh, I don’t know ”
She gazed yearningly at the chandelier.
“I wish mother would take me to Algiers next winter,” she murmured, absently. “It would do her rheumatism so much good.”
In this example, Wodehouse expertly handles both sex and humour with a light touch, in keeping with his established style and the reserved Englishness of his characters. But it is certainly not sexless.
Happy Valentine’s reading everyone!