‘Reginald, mark you, whose normal batting style was a sort of cross between hop-scotch, diabolo, and a man with gout in one leg trying to dance the Salomé Dance.’
By T. M. R. Whitwell (see File:Mike (Wodehouse).djvu) [Public domain], via Wikimedia Commons
‘Reginald’s Record Knock’
‘Reginald’s Record Knock’ first appeared in Pearson’s Magazine in 1909. When I encountered the story in Murray Hedgcock’s delightful collection Wodehouse at the Wicket (1997), it instantly struck a chord. You see, my first love, long before I discovered P.G. Wodehouse, was cricket. When I was young, my parents would drop me at the Oval (they having no interest in the game) where I would spend the day watching cricket and keeping score in a little notebook. My greatest wish was to play professional cricket, but tragically, like Reginald Humby, I was an indifferent cricketer:
‘When a boy at school he once made nine not out in a house match, but after that he went all to pieces. His adult cricket career was on the one-match one-ball principle. Whether it was that Reginald hit too soon at them or did not hit soon enough, whether it was that his bat deviated from the dotted line which joined the two points A and B in the illustrated plate of the man making the forward stroke in the ‘Hints on Cricket’ book, or whether it was that each ball swerved both ways at once and broke a yard and a quarter, I do not know. Reginald rather favoured the last theory.’
Unlike Reginald, who we shall return to anon, my story is a painful one. As a young girl in 1970s Australia, finding an opportunity to play cricket was challenge enough. I joined the school team of course, but was never allowed to bat or bowl in the nets at practice. My duties were restricted to fetching wayward balls. My name was usually omitted when the weekly team notice was posted, although occasionally I was named 12th and my parents would drop me at some far-flung suburban ground to spend a day watching others play.
I was named in the first eleven once, when an outbreak of cholera or dengue fever or some such disease gave the coach no other choice. He put me at the bottom of the batting order and sent me to field in the car park, where I could not adequately return the ball. To my lasting shame, I also dropped a catch. Wodehouse knew this feeling, which he described in the poem ‘Missed':
Oh ne’er, if I live to a million,
Shall I feel such a terrible pang.
From the seats in the far-off pavilion
A loud yell of ecstasy rang.
By the handful my hair (which is auburn)
I tore with a wrench from my thatch,
And my heart was seared deep with a raw burn
At the thought that I’d foozled that catch.
Missed (1903) (Full text at www.madameulalie.org)
Batting last, I made four not out in the last two desperate overs of our innings, but my poor showing in the field reinforced the coach’s prejudices and I was never picked again.
As a young woman, no longer dependent on the benevolence of adults, I worked hard to learn the game with the assistance of talented cricketing friends. When no friend was to hand, I spent hours alone in the local nets, bowling at an empty wicket. I played indoor cricket several times a week, wrote match reports for a newsletter, and enjoyed every opportunity for a social game. As a bowler, I developed a knack for ousting over-confident batsmen. Their faces would light up like a child’s at Christmas when I came on to bowl, for in addition to being a girl, I was also short, pudgy and wobble-breasted. The decent players would pretend not to have noticed, but more ordinary batsmen looked on me as their big chance – like Wodehouse’s Reginald when he discovers Blagdon is bowling.
The sight sent a thrill through Reginald. He had seen Blagdon bowl at the nets, but he had never dared to hope that he might bat against him in a match. Exigencies of space forbid a detailed description of Blagdon’s bowling. Suffice to say that it was a shade inferior as bowling to Reginald’s batting as batting.
And later, when Reginald faces Westaway:
Scarcely had Reginald recovered from the pleasurable shock of finding Blagdon bowling at one end when he was amazed to find that Westaway was bowling at the other. Critics had often wrangled warmly as to the comparative merits of Blagdon and Westaway as bowlers; some thought that Blagdon had it, others that Westaway was the more putrid of the two; a third party called it a dead heat.
The prospect of my bowling evoked similar joy in opposing batsmen. Even before my first ball, hitherto unpromising players would be seen scoping-out gaps in the field and practicing wild hook shots in the air. By the time I waddled up to release my ball (which I insisted was medium pace, however slow the act of delivery appeared) the batsman would have invariably run out of patience and danced up the pitch to meet the anticipated long-hop, full toss, or whatever feeble delivery he’d mentally prepared to score off. I was wise to this and never pitched short. The over-confident amateur would find himself stranded a long way from home with no time to make alternative plans for dealing with unexpected deliveries. Every wicket claimed felt like a great triumph.
In describing Reginald Humby’s emotions on the occasion of his unexpected century, Wodehouse shows us again the depth of human feeling he was capable of bunging into his art.
The ordinary batsman, whose average always pans out at the end of the season between the twenties and the thirties, does not understand the whirl of mixed sensations which the really incompetent cricketer experiences on the rare occasions when he does notch a few. As ball follows ball, and he does not get out, a wild exhilaration surges through him, followed by a sort of awe as if he were doing something wrong, even irreligious. Then all these yeasty emotions subside, and are blended into one glorious sensation of grandeur and majesty, as of a giant among pygmies.
Buoyed by these minor successes I decided to join a local cricket club, where I was permitted to carry the drinks and keep score for F Grade (or perhaps it was Q grade). It was a starting point, and the players welcomed me, a 19 year old girl with limited cricketing experience, more warmly than I expected. A little too warmly in fact. It became quickly and painfully clear that they did not take my interest in playing cricket seriously, and that I was considered something of a groupie, ‘hanging around’ the team, presumably in order to bed them.
The team in question were, arguably, the most unattractive assortment of male specimens ever gathered together; lecherous gout-ridden has-beens, beer swilling could-have-beens, and arrogant thought-they-weres. The only player whose personality would not make his own grandmother wince was the wicket-keeper, who was permanently stoned and saving his personality for special occasions. Their collective lack of hygiene and inability to keep whites white (members opting instead for a shade of fungal yellow to match their teeth) would have repelled even their staunchest admirers. The idea that I would set my heart on bedding a team of cricketers is insulting; that I would then proceed to select this bunch of degenerates, is astonishing. And yet, this deluded idea they undoubtedly had.
Encountered on the field, they would have given Wodehouse’s Psmith, always sensitive to vulgarity, a shock from which he might not have recovered. As he confessed to Mike:
‘The last time I played in a village cricket team match I was caught at point by a man in braces. It would have been madness to risk another such shock to my system. My nerves are so exquisitely balanced that a thing of that sort takes years off my life.’
Mike and Psmith (1909)
Now if our team had contained a man in braces, it would have raised the tone considerably and helped draw the eye away from the fungal yellows.
My remaining romantic ideals about cricket were eventually shattered by meeting some of my cricketing heroes, who were similarly inclined to misinterpret my enthusiasm for cricket as an invitation for lechery. The scales finally fell from my eyes, and it’s now been some twenty years since I played or watched a game of cricket. Reading one of Wodehouse’s cricket stories is the closest I get, but it’s a bittersweet experience because Wodehouse captures everything I believed cricket was about, but was never able to experience myself.
Even now, I would love to return to the game, but if the chaps couldn’t accommodate me in my girlhood or playing prime, they’re unlikely to indulge me in flabby middle-age. Yes, women play cricket these days – and good luck to them – but they won’t have me either. Women’s cricket is competitive, for skilled and serious athletes. There is no tradition of laid-back social cricket, where women of advanced years and limited abilities can still combine their love for the game with a long lunch break and a few pints. In short, we ladies have no team that compares with Reginald Humby’s club, The Hearty Lunchers.
‘They belong to the school of thought which holds that the beauty of cricket is that, above all other games, it offers such magnificent opportunities for a long drink and a smoke in the shade. The Hearty Lunchers do not take their cricket in that spirit of deadly and business-like earnest which so many people consider is spoiling the game.
A Hearty Luncher who has been given out caught at the wicket does not explain on arriving at the pavilion that he was nowhere near the ball, and that the umpire has had a personal grudge against him since boyhood. No, he sinks into a deck chair, removes his pads, and remarks that if anyone was thinking of buying him a stone ginger with the merest dash of gin in it, now is his time.’
The Hearty Lunchers don’t mind that Reginald can’t bat, they make room for him anyway, giving ‘Reginald’s Record Knock’ a special place in my heart.
But Wodehouse goes further. Reginald’s betrothed, Margaret Melville, is unmasked as a cricket lover who plays in ‘the ladies match’. Wodehouse gave us many female golfers, but she is the first cricketer I’ve come across. Wodehouse depicts her enthusiasm for the game as genuine, perfectly natural – even admirable. Nothing sordid or unseemly is suggested when we learn Margaret regularly attends the Chigley Heath matches, with a crowd ‘…mainly composed of small boys and octogenarians…’ The fact that Margaret plays in ‘the ladies match’ also suggests the presence of other lady cricketers — some 17 years before England had a Women’s Cricket Association (www.womenscrickethistory.org). Once again I feel compelled to note how often Wodehouse’s ‘treatment’ of women betters not only his contemporaries, but often our own.
If only the world of cricket was as Wodehouse painted it.
Writing this piece has brought back some painful memories, but looking to Wodehouse I have found a potential source of balm for my spiritual wounds. The clues are everywhere. Returning to the poem ‘Missed':
Ah, the bowler’s low, querulous mutter
Points loud, unforgettable scoff!
Oh, give me my driver and putter!
Henceforward my game shall be golf.
If I’m asked to play cricket hereafter,
I am wholly determined to scratch.
Life’s void of all pleasure and laughter;
I bungled the easiest catch.
I think it’s time I tried my hand at golf!
(c) Copyright. My original writing at Plumtopia is subject to copyright. You are welcome to quote from my writing with permission, acknowledging me as the author.